Megan Wolfe

Thoughts.

MWolfe-JohnFelixArnoldIII-MOMA-Print-14 So I haven't written a blog post of rambling ferocity in a while.  Maybe this one won't be furiously written because I do not find myself furious about anything today.  Let's suffice to say that life is good right now.  While there are always ups and downs, the world we live in is constantly in a realm of serene chaos and force fully calm bedlam, I find myself right now knowing that I am just where I should be as an artist and a person in this world we all share.  Recent events in travel, meditation, love, art making, work, and self work have led me to a place of growth and understanding that I have never really known before.

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This year has been absolutely unbelievable as I find myself in process and in the present so much more than I have ever been.  I have awakened over the past few years to the understanding that today really is not the end of the world, that decisions made today are not going to the be the end all be all of life, but that being said they do all matter, and all create the whole sum of working parts that have allowed me, day by day, to be given the life I now have.  To make work that I love to make, to get excited every day about the possibilities that the future holds and believe that the sky is the limit as long as I am rooted in creating and not ego.

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When I arrived home from Japan, the most amazing experience I have had in my life to date to say the least, I quickly enjoyed the opening of the largest accomplishment of my art career to date.  The SFMOMA exhibition, "In Memory Of..." opened June 8th, 3 weeks after I returned from my month residency.  The roller coaster of life shot up pretty high, and then afterward it was on to Minneapolis for a month of work for the non-profit that is my day job and helps to support my art career in an effort to not exhaust my presence and my ideas too quickly and keep me financially intact (burnout syndrome is the worst syndrome).

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Upon this trip in the middle of America I experienced the drop of the roller coaster so to speak.  The pit of my stomach stuck in the Mall of America felt like it was eating itself from the inside out. And it was beautiful in all of its anxious, low, depressive glory, for I knew that this is the balance that is life.  The scales will always weigh themselves out even in the long run if we just keep our ear to the street and smell the air with each step.  While inside it was painful to have gone up so high and then down so low, it was amazing to experience all of these things without any substances, without anything to change the way I was feeling.  The gifts of sobriety I must say are the most beautiful and true gifts I have received in my life.  Listening to Yeezus on the light rail wishing I was back in Japan watching the toxic, dripping heart of America go by on my way to the church of consumerism made me really understand that I am fit for this lifetime. I am right sized and in my place.

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A new found love and affection has recently come into my life, and has made me really grateful for everything that I have ever been through.  Whether it was being locked up and in central bookings reflecting on how to not live life, being so twisted on drugs and alcohol that I would end up in the E.R. with tubes and fluids going in me while I was somewhere in a pain so deep it almost consumed me, or going bowling with friends, or drawing a figure that every mark made me feel a sort of explosive, orgasmic love of life,  or on a mountain top in Japan in a Buddhist Temple making love to a beautiful woman on the tatami floor and then going in a hot spring, or driving to Pt. Reyes with my partner engrossing ourselves in one another's lives and stories.  Like I said on stage right before Japanther performed at my "Past From the Blast" show in 2011 at Kitsch, "We All Do This Together!"

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It is a beautiful thing when one can reconcile and be allowed to understand their purpose in this lifetime, in this phase of the energy that we are part of while on this earth.  When one can lean back and close their eyes and smile because they know what the universe has asked of them and they seek with their entire life until the end to fulfill that mission. I rest happy every night knowing that I am meant to make art, to create things for humanity to experience, to share my world and my perspective on the world, and to be a conduit of creation for a power and an energy so much larger than myself, that I still am a part of, that we are all a part of.

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It's awesome to know that my purpose is to bring people together, to open eyes, to challenge sight and thought, to excite and entertain, to love and be loved.  It feels amazing every time I create something new, or get a flood of ideas and plans into my psyche about where my work, where the work that the universe wants to flood through me, is going and what possibilities I am going to share with those dear to me as we all march on and trudge the road to happy destiny!  It is true, "We All Do This Together!" And I would have it now other way.  Love life, live this life, because its the only you get in this lifetime... Thanks for reading! -John Felix Arnold III  P.S. Horiyoshi III in the image below definitely shares my thoughts on this, we kicked it hard in his studio, his energy is infectious, dude is the fucking man!!!!!

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Going Through Past Lives...

And found some awesome photos to share... DSC04277

So the picture of C-Rayz Walz is one of the first published Illustration gigs I ever did for Def Jux Records back in 2004.  Where is that guy?  It is the album art for his Black Samurai E.P.

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The Dave Chappelle Block Party Movie was filmed in, and the Block Party itself, my old neighborhood on the edge of Bed Stuy and Clinton Hill in Brooklyn.  This is one of the choice shots of Wycleff and Lauren Hill battling it out, getting reallllll emotional during the Fugees reunion bit.  HISTORY was made!  2003 was a big and crazy year for a lot of things.

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This is a drawing I did for the Babylon Falling Closing show "The End is Near" in 2009.  It was called "KaliMonTen"... I really want to go back in this direction with some of the newer work, but as with all things it's about finding that opportune moment of balance where it is good to feel that initial discomfort to re-enter and idea from whence it becomes new and big and fun again and a totally fresh way.

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Yes it is still true, at least to us, Japan is home to some of the most ridiculous English translations on clothing, but when you are there, they don't really give a shit what we think, which is awesome.  They have literally taken our words and made them their own, so we get something out of it.  The one that says curation really fucking cracks me up, I wonder what they were really getting at, it has to be a feeling or like a type of action they were trying to pinpoint but there probably just isn't an English word for it.  HatLip is just, well HatLip.  Like "Hey man what's that hat all about?"   "You know homie, that's just that HatLip!!!!!!"

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Something we do not have in the States, 5 century old castles with giant moats to repel all sorts of attackers from Samurai, to Ninja, to Ashigaru, to just crazy ass locals that are pissed at the government and tired of getting taxed.  I think today's moats are called the Banking System, Credit Default Swaps, and Debt.  I would kind of rather be a Ninja and swim across the water and scale the wall and kill the Lord and get the Princess to be honest, way more bad ass.

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This woman came out of her house to talk to me, I don't think she had been outside for a long time.  She was super cool.

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I wish I had had a giant Kendo sword fighting cru when I was like ten years old.

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And finally this is an awesome studio shot of the work I made for the SFMOMA taken by Megan Wolfe.  I am going to miss Megan, she has been a bright light in the Bay Area art scene for a long time now!  Thanks for all the years of hard work and being a bad ass! You will be missed.  In other news I am going to New York for fourth of July weekend, expect a lot fo Graffiti pictures a lot of images of friends acting out in public....see you soon!-Felix

Production and Opening Photo's of "Should I Stay or Should I Go?" @ Old Crow : Oakland : CA

I ended up taking a great reel of great production and progress shots of "Should I Stay or Should I Go?" at Old Crow Tattoo & Gallery, and some good photos of the openings.  Him Downstairs performed Saturday night and then Sunday was Unstoppable Death Machines and the Laughters.  Count Z-Bop was even hanging out.  It was spectacular!  I hope you all enjoy seeing the install process and the final product. -Felix

Tools, Wood, things to make the magic with.

Motocycle piece "The Great Debate" just finished moments ago.

The organ was a good find, thank you urban ore.

Viking Ben lending a hand.

Arial view compliments of Terry Addison.

"In Memory of..." series.

Star Wars Stormtrooper Helmet Relic Remix.

Belly drinking a 40 of that Ole English Eightball 800!

D Young V looking wild!

Nadia and I flossin!

D Young V and I representing.

We all love to see ZeeZee!

The most amazing couple alive.

Joel Tarman back from Palesien with Rhea St. Julien.

Jessica from Old Crow looking pretty other worldly in her Jedi Hood!

Fuckin New Yorkers!

Brendan Cox.

"The Great Debate"

Joel and Rhea St. Julien aka Him Downstairs.

Ara Christina Jo being awesome as usual.

How did everyone at Old Crow become so damn cool?  Dana James looking tough on the bike piece!

Dana James fully suited up for the world of Unstoppable Tomorrow.

The lovely Chloe Crossman with the coolest hair dew of all time.

The Laughters  Count Z Bop

Unstoppable Death Machines
Mike from Unstoppable Death Machines at Mama's Royal Cafe, bout to get some breakfast Monday morning.  I am about to go to Japan right after this meal!  See you all from my Japanese tour with Ken South Rock! -John Felix Arnold III