Language of Memory @ Superchief, recap updateeeeeeeee
I am in North Carolina, getting settled in before the Residency I am about to partake in at Spectre Arts in Durham. I have a lot of photo editing to do but here are some images from the finished Language of Memory exhibition at Superchief LA. The show is up until December 10th so I advise ye go see it if you are in the LA area. We put it in big time on this... A fully immersive experience...
TOMORROW NIGHT, Saturday 11/12/16! At Superhchief Gallery LA, "Language of Memory"
It's here! Tomorrow night at Superchief Gallery in DTLA, 739 Kohler St., LA, CA 90021, from 7-11pm we are having the opening reception for Language of Memory. It is a solo art effort by myself with amazing sound work by Andrew Kline (Strife, World Be Free), and new immersive installation work that I am very very proud of!!! If you are in LA please come and support and experience the show and Superchief.
Zach Tutor at Supersonic Art just dropped this awesome piece of press on his blog for our show today! http://supersonicart.com/post/153041964017/john-felix-arnold-iii-andrew-klines-language
“Language of Memory” is akin to the worlds of Kirby, Lichtenstein, Kienholz, Duchamp, and the RZA swirling and colliding into one moment, but only as Arnold and Kline could realize. The exhibition is a highly conceptual vision of a post-apocalyptic future in which iconic characters and reference from our current world take on a larger presence and meaning within a new society. This is a time in which humanity’s obsession with power and dominance led to the creation of living war machines that turned on their creators, having destroyed the world as we know it. In this reality concepts of survival, spirituality, memory, and existence have taken on new meanings."
Coming Up in a Month...
Language of Memory is one month out, and we are very excited about getting into the gallery in the beginning of November to get some Installations built and get to work for the final push.
Matsuri
In the Shinjuku Area.
Photos from Japan, May 2016
I have finally been editing more photos from my trip to Japan this past May. Getting through them slowly but surely. Here are some shots. I am getting ready to start an in home commission project using a lot Ukiyo-E and Japanese imagery and subject matter... Brainstorming
Los Angeles Adventures
I want to make a real shout out to LA and all of its amazing people, places, and things that have been so supportive and crucial in my time down here. I felt alone and sort of lost for a moment there the first week, but have been thrust into a world of real goodness down here. And some of the most delicious tacos of my life XP. Hopefully I will be getting out to some galleries this weekend and seeing some good art and meeting some new folks. But for now I am volunteering at the JACCC in Little Tokyo and really enjoying becoming a part of a thriving community. Good things are here now and good things are coming.
Japan 2016
A visual narrative of my trip to Japan... Osaka to Kyoto to Tokyo, May 2016. Thanks to Juso Paint Dojo, Keiko Hakozaki, and the city of Tokyo.
Japan Travels and Art Adventures, 2016 Osaka to Kyoto to Tokyo
Well, LA is awesome!
I made it down here five days ago to start working on my upcoming show with Andrew Kline, titled Language of Memory. I am astounded at how awesome this place is. I have been wanting to spend some time here for a while and now I actually get to do it before heading back to the NC in couple months for a residency with Spectre Arts Gallery in Durham. Onward... There was also a killer trip to Prague and Budapest and Croatia recently.. more of that to come as well.
Language of Memory
Time has been flying by. I have some major announcements to make. First off, Andrew Kline and I have been working on a massive new show to debut at Superchief Gallery LA on November 12th, 2016. We have been working hard to bring you an immersive art, sound, and installation experience taking you through a future world where samples and visual reference from today have become the foundation of a society in the world of Unstoppable Tomorrow. It is also a conceptual exploration of shared reference creating a unifying but also very singular experience.
here are some works
Goddess 12"x12" House Paint, Oil Pastel, Pencil, Acrylic Lacquer on Wood Panel
Split Tales, 2'x4' House Paint, Acrylic Lacquer, Acrylic Paint, Soft Pastel, Oil Pastel, Pencil on Wood Panel
Time Signature 12"x12" House Paint, Spray Paint, Acrylic Lacquer, pencil on Wood Panel
Story of Life 24"x27" Spray Paint, House Paint, Acrylic Paint, Soft Pastel, Oil Pastel, Tempera, Pencil, Acrylic Lacquer on Wood Panel
I will be in LA living at Superchief for two months working on the installations leading up to the show. Get ready for some awesome documentation.
In other news, this website hosted by Bits & Bristles will unfortunately be coming down in October. I am working to get a new site up by then so please bare with me in the interim as I will be transferring the name over to a temporary blog style site due to time constraints.
Thank you for all your support. If you would like a preview of the show works and are interested in purchasing send me a comment or email to felixthethird@gmail.com and I will connect you with the good people at Superchief as well as supply you with any info you need from my end.
Much Love and thank you to all for your support!
-Felix
Japan Quick Catch Up
I have been in Japan for the last ten days, and it has been a whirlwind! I have learned so much about a city that is somewhat new to me, Osaka, and about painting huge pieces as well. It has been a beautiful, sometimes chaotic and tough learning curve, but now (that also my wifi card on my computer started magically working again) it is just moving forward with an amazing positive force and I am able to look at the whole last two weeks as a real journey of growth and newness and change. Yeahhhhhhh.
So finally I can share some photos of my adventures with you. I have only edited a few so far so the majority will continue to come. Enjoy
Getting Ready For Japan
I will be going to Japan in a few days, another trip to one of the most amazing places on earth. I am so excited to be painting with Koutaro Ooyama again, this time in Osaka. I will be updating as regularly as possible while I am working with him on a massive painting. Feeling good to be feeling connected and getting ready to be on the other side of the world for a while.
And Here We Are...
And here we are, standing in the soup of air, the humid entrance to a changing weather front, the thunder rumbling in translucent sound deep in the distance. The hum of crickets and the trickle of raindrops fill open ears. The glow of a Waffle House sign and the blinding nature of gas station LED lights offsetting it in a strange dichotomy of dimensional travel, of transparency between times. The loving lurch forward, the hating speed up to slow down, the laws swirl through air made of judgmental and righteous feelings. The mosquitos interface with gods original bizzaro land, one where the logic of the universe and all that occurs become a mesh of communication, a confusion of steadfast eyes and closed ears and open mouths screaming for the inevitable to halt and let their hearts congeal into stopping position before they change. Yet the change is the only constant no matter how hard they fight.
A young man asks me "Is that a Nikon or a Cannon?" with a limber slight drawl, or rather an airy relaxed almost classy slowed down accent, in no rush to then tell me how he has a Cannon rebel. He likes the Nikon's sensor and the overall image size, but he still loves the Cannon and the action and the way she moves. Then he says my waitress will be right with me and I proceed to say thank you and order a meal of proportions fit for Thor and Odin and all the warriors at the God's temple of Waffle House. North Carolina you are a strange mistress, an old soul full of sickness and beauty. You will forever be captivating to me in your slow yet unrelenting humid gusts of evolution. I'll enjoy this coffee, and then go outside in the the hot tub that is the spring night.
Another Photo of the Day
Photo of the Day
South Of The Border, 2014
Currently on View at Stephanie Chefas Projects.
Alignment, 16x20, Mixed Media on Wood assemblage Panel, 2016
Upcoming Experiences!
Excited to announce that I am going to have a piece in the upcoming Stephanie Chefas Projects Group Show entitled "Selfie". I will be dropping a new piece entitled "Alignment" next week on social media which will be represented in the show. I wrote an insightful, albeit thorough (as fuck haha) paragraph about the context for the piece and for where I seem to have found myself these days. 'In the last year of self discovery many moments have seemed to engulf me in their fullness and seeming unending intensity. The truth is that feelings, thoughts, states of being whether it be fear, joy, uplifting momentum, painful drowning, relief, darkness, amazement all are simply temporary moments within our humanity and our connection with the universal and one another. No state of being is a forever moment, I feel that even death in the end is simply a doorway to another dimension or state of our energies path through time and space. I have ebbed and flowed through some very intense pockets of being that at times felt permanent, or unending in the last year. I have worked through ghosts and the effects of my own past that finally were meant to be unwoven and dissected and confronted. And always with every stage and step a larger feeling of connection and a vision of the balance of the spiritual center amidst all things, one entity yet part of all entities is what I can see and feel. This piece is truly a self portrait of being and perception at the convergence of so many different elements of existence. It encompasses a visualization of the unseeable as well as tangible aspects of being, not consumed by any one feeling or way or thought. Just a moment amidst the intersecting energies and landscapes of the soul and psyche to see the beauty of it all in alignment, of it all just as it is meant to be at this certain moment. A freeze frame of all that makes up the passing of time and my place in the forever undulating universal architecture of energy. Even Tetsuo's rebirth was not a place of permanent pain, but a doorway to let his unending explosion of energy become right sized and fluid in a new state of existence, in the next dimension and stage of his alignment.' -JFA III
Also I will be having a yet another new piece showing with the wild animals of Good Mother Gallery in Oakland.
Photo of the Day 04/01/2016
On the Topic of Reference.
I have been using direct references from comics, manga, anime, books, folklore, Hokusai, Yoshitoshi, Kirby, Buscema, and many many more for a long time now. I find that the use of these references generally stem from a familiarity found during my life span, and I attach certain memories, thoughts, feelings, experiences, and the passing of time and all that comes with it to these iconic references. The ability to craft a narrative that speaks of our story due to the use of sampled elements that come from our world, or our specific moments in time that show a relationship of experience, is something that I began learning from great producers like DJ Premier, Pete Rock, The Rza, Dilla, even Kanye. There is something so sacred, so universal, and so personal yet communal about being able to utilize an image (or sound) that already exists in a certain context in history and was created with a certain purpose in mind, but due to the immersion into the tableau of our own personal histories these images take on new definitions and representations for all of us as individuals. I may not have created the image but I am using it just as a writer uses a word or a composer a note to begin to share my experience with my materials and surface and then ultimately to you. I feel everything that I have learned from these images and their makers coupled with all of my feelings, memories, thoughts, ideas, and experiences that I associate them with throughout every part of my life that I invoked their energy so to speak, and the result of re-purposing them creates something that I find to be beyond powerful, nurturing, cathartic, challenging and aids in a deep sense of growth and connection.
I have recently found my way back into the use of comic book references. After some continued digging and self reflection and self work I have found my way back to a period of my life where I began growing and forming ideas, and emotions, and modes that continued to move forward. A lot of these moments had been forgotten for a long time and I find myself re-experiencing some of this time internally as I come to realizations about how it informs who I am now. A certain attachment and learning came in the form of specifically Wolverine from Marvel comics for instance. It is almost as if I am having conversations as an adult reflecting on my inner child from then and now with Wolverine. I also am revisiting how I connected myself to Wolverine's adventures and pain and good times and battles and loves and loss and intense personal narrative. I am finding how so many of these references from John Buscema and Mark Texiera and Barry Windsor Smith really helped to teach me so much of morals, and ways, and approaches, wrong things, influences and ethics, good and bad habits as well that I embraced and helped me to grow. I find that reformulating these relationships in adulthood helps me to accept, love, cultivate and define my experiences and my narrative from this time period and how it continues to help me evolve today as I have re-embraced it while moving through present life and learning to accept more of who I am day by day.
I plan to continue writing more about this concept of sampling as a mode for deep, personal story telling by reintroducing iconic references in a new way. About how it is truly a tool that can bridge my experience with others and do more to welcome viewers and patrons into the work I create as they find their own story and also wonder how our stories are similar and unified as well as contrasting and individual. I feel like I have found a powerful tool to speak with in turn with my abstract painting and wood work and loose contour drawing and more. The root of much of my childhood growth and positive relationships with art (comic and abstract) are today more and more becoming the tools I use to truly explore and visualize my experience of those things unseen and intangible. I am happy to be doing what I am doing.